Enter
negotiate the
contemporary
Where art is inert a sensuous discourse ripples.
In her poem “Why did she come” Iman Mersal writes
of objects in relation to the architecture of museums;
I think mummification is
contrary to immortality,
because a preserved corpse
will never be
part of a rose.
The Inverted Museum is a chronicle of curatorial strategies, border control, political landscapes, art, and artifact. The blog responds to the 11th Berlin Biennale for Contemporary Art, The Crack Begins Within, in the frame of the Curatorial Workshop How now to gather.
Please visit
The Inverted Museum
on your desktop
Where art is inert a sensuous discourse ripples.
In her poem “Why did she come” Iman Mersal writes of objects in relation to the architecture of museums;
I think mummification is contrary to immortality, because a preserved corpse will never be part of a rose.
The Inverted Museum is a chronicle of curatorial strategies, border control, political landscapes, art, and artifact. The blog responds to the 11th Berlin Biennale for Contemporary Art, The Crack Begins Within, in the frame of the Curatorial Workshop How now to gather.
